A supernatural new musical illuminated with a compelling central romance and standout leading performances
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What’s it about?
A world premiere musical inspired by the classic American folk tale, Dark of the Moon blends romance and the supernatural into a haunting story of love and belonging. Set within a close-knit community where old beliefs run deep, the musical explores what happens when outsiders challenge tradition and prejudice.
What we loved best
Lauren Jones is simply stunning as Barbara Allen. Delivering a beautifully natural and deeply felt performance, she combines emotional authenticity with exceptional vocals. Jones lights up the stage whenever she appears and is a joy to watch throughout.
Playing opposite her, Glenn Adamson is a magnetic Witch Boy, and the pair share a chemistry that makes the central love story wholly believable and engaging. Special mention must also go to Kiah Lindsay, whose rich, soaring vocals open and close the show beautifully.
The score is rich and varied, featuring rousing ensemble numbers alongside heartfelt ballads that showcase the strength of the cast.
Technically, the production is strong. The lighting design expertly finds every shadow and spotlight, creating a sense of mystery and magic throughout. Combined with atmospheric sound effects, clever special effects and expressive movement work from the company, the production is successful in creating a supernatural world.
Anything we'd change?
As with many new musicals making their first appearance, there is still some refinement to come. The witches' scenes occasionally feel repetitive, and their influence on events could be developed into something darker and more threatening. More broadly, the production could lean further into the story's darker themes, helping to sharpen the dramatic stakes and avoid moments that verge on the overly playful.
Who would enjoy it?
Fans of new musical theatre, rock-inspired scores and intimate theatrical experiences will find much to enjoy.
Who created it
Dark of the Moon is based on the classic 1941 play by Howard D. Richardson and William Berney. This new musical adaptation features a book by Jonathan Prince, with music and lyrics by the songwriting trio of Lindy Robbins, Dave Bassett and Steve Robson. The production is directed by Georgie Rankcom, with choreography by Jane McMurtrie, lighting design by Jonathan Chan and sound design by Andrew Johnson.
Verdict
An ambitious and atmospheric world premiere featuring strong performances and a great score.