Sam Ryder proves inspired casting in Jesus Christ Superstar
⭐⭐⭐⭐
What's it about?
With music by Andrew Lloyd Webber and lyrics by Tim Rice, Jesus Christ Superstar is one of musical theatre's most iconic rock operas. First released as a concept album before opening on stage in 1971, the show follows the final days of Jesus Christ. Blending rock music with biblical storytelling, it explores faith, fame, friendship, betrayal and sacrifice through a score that includes classics such as I Don't Know How to Love Him, Gethsemane and Superstar.
Following its award-winning run at Regent's Park Open Air Theatre in 2016, this acclaimed production of Jesus Christ Superstar is now playing at the London Palladium presented in a concert-style format.
What we loved
Just like the moment when the crowds’ part to first reveal Paddington live on stage, there is a similar feeling when Sam Ryder first appears at the Palladium, removes his hoodie to thunderous applause and, for a second, you feel like you might just be seeing Jesus himself.
This production generated plenty of excitement with the casting of Sam Ryder and, overall, he does not disappoint. Ryder is at his best in the big rock numbers, oozing confidence and commanding the stage like a leading man. His rendition of Gethsemane is excellent—full of emotion and conviction and he also plays guitar during the show, which feels like a natural extension of the role. Ryder’s vocals seem to disappear slightly in some of the quieter moments, but overall he is a compelling performer who conveniently also looks like Jesus.
Desmonda Cathabel is a delight as Mary Magdalene, with silky vocals, bringing warmth and tenderness to the role. I also particularly enjoyed David Thaxton as Pontius Pilate, who gives a striking performance. At this performance, Tyrone Huntley who I was very much looking forward to seeing in his return to the role of Judas, was not performing, with the role played by alternate Billy Nevers who did a great job.
Timothy Sheader (Director) and Drew McOnie (Choreographer) have created a lively and lovely fluidity to the production which keeps the disciples swirling across the stage. The use of handheld microphones and spotlighting the band's solos reinforces the rock nature of the show, while the staging sees the cast performing amongst the audience and high up on the scaffolding, bringing everyone in the Palladium closer to the action.
Selling some tickets for audience members to stand on stage is a genius move. Not only is it an unforgettable experience for those lucky enough to be on the Palladium stage, but it genuinely adds to the feeling of the crowds. Before long, you almost forget they aren't actually part of the professional ensemble.
The costumes and lighting work beautifully together, creating dusty golden hues that give the production a warm, atmospheric look. Jesus's gold microphone is another nice touch, perfectly complementing the show's rock concert aesthetic.
Anything we'd change
Sam Ryder's voice occasionally gets a little lost during some of the quieter songs. While he excels in the rock numbers, a little more vocal presence in these intimate moments would make the performance even stronger.
Who would enjoy it?
Fans of Sam Ryder, classic musicals, Andrew Lloyd Webber’s work and anyone who loves hearing iconic scores performed by an outstanding cast and band.
Who created it?
Jesus Christ Superstar features music by Andrew Lloyd Webber and lyrics by Tim Rice. This London Palladium production is directed by Timothy Sheader, with choreography by Drew McOnie. Tom Scutt provides the set and costume design, Lee Curran is the lighting designer, and Adam Fisher sound design. Musical supervision is by Tom Deering.
Verdict
Jesus Christ Superstar has an iconic score, and hearing it performed live by these incredible singers and band in the London Palladium is a real treat for any theatre-goer. Add in a charismatic leading performance from Sam Ryder, and this is a production well worth seeing.