A visually dazzling production with a commanding Sandra Oh, but one that keeps its audience at arm's length
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What's it about?
Molière's classic satire of hypocrisy, vanity and social performance is reimagined in contemporary London with the uncompromising hero reimagined as a woman. Set amongst the wealthy elite, The Misanthrope follows Alice, a woman increasingly frustrated by the insincerity and superficiality of those around her, while navigating her complicated relationship with the charismatic Stefan (Tom Mison).
What we loved best
The production is visually stunning. The sumptuous boutique hotel setting creates an immediate sense of luxury and excess, perfectly reflecting the world these characters inhabit. The design is elegant throughout, but the final scene delivers a particularly memorable image as the stage is transformed beneath a spectacular canopy of chandeliers.
The Canadian star of Killing Eve, Sandra Oh is undoubtedly the star attraction, making her UK stage debut. Oh brings tremendous presence to the National Theatre stage with intelligence, confidence and strength.
The supporting cast are equally accomplished. Tom Mison, who plays Stefan, Alice's boyfriend, is especially charming, bringing an old-school movie-star quality that recalls a young Rupert Everett.
The dialogue is relentless. Conversations overlap, observations fly thick and fast, and the production rarely pauses for breath. There is enough wit and momentum to keep the audience engaged and curious about where the story will ultimately land.
Anything we'd change?
The production's greatest strength is also its greatest challenge. The constant stream of sharp dialogue and social sparring leaves little room for emotional reflection. While this may well be the point of the play, very little feels sincere, making it difficult to connect emotionally with the characters or their dilemmas.
The adaptation also introduces a number of contemporary topics such as performative activism and identity politics — but none are really explored in any real depth. At times it can feel a little overwhelming trying to make sense and digest it all.
Who would enjoy it?
Fans of Killing Eve will undoubtedly be keen to see Sandra Oh on the London stage. The production will also appeal to audiences who enjoy sharp social satire and stylish contemporary adaptations of classic plays.
Who Created It
Adapted by Martin Crimp from Molière's classic play. Directed by Indhu Rubasingham, with set and costume design by Robert Jones, lighting design by Tim Lutkin, sound design by Alexander Caplen and music by Anna Meredith.
Verdict
A beautifully staged production led by a magnetic Sandra Oh. While the emotional impact remains somewhat elusive, the sumptuous design, strong performances and biting social commentary make for an interesting evening of theatre.